"The stage, both the West End and Broadway has itself a bright new hope - possibly a budding superstar in the Liza Minelli mould. Ann Morrison, brought over specially from America to play the title role of "Peg" is a red-haired, all singin', all dancin' bundle of dynamite with star quality stamped all over her. She trips about the stage as daintily as Leslie Caron, and then belts out a number with verve enough to fell a bull elephant at a hundred paces. She's a stunner, and a little lady we're going to hear a lot more of." - John Elliott

"A real discovery in Ann Morrison, a lovely lead who has a genuine touch of both Mary Martin and Shirley Maclaine."

"Star of the show without a doubt is Ann Morrison as the unaffected and unknowing American heiress to a fortune coveted by the impoverished upper-crust English family she goes to live with.

Miss Morrison is a lovely Peg - charming and natural in her speaking scenes, occasionally mischievous, and thoroughly loveable.

Miss Morrison also has a rich and powerful singing voice which makes all her songs a joy to listen to."

"I first heard Ann Morrison as Mary Flynn in the Merrily We Roll Along original Broadway cast album over 30 years ago. Her witch in INTO THE WOODS is a stunning creation (and yes, I could hear moments of Mary seep through; it was like hearing the voice of an old friend from long ago). The witch is all things, part creepy creature, part broken-hearted mother. Morrison's Act 2 rendition of "Last Midnight" is the best I have ever heard. She sings the hell out of it. And in a single day, it has become one of my favorite Sondheim numbers, all thanks to Morrison's glorious interpretation." - Peter Nason, BWW

"Ann Morrison's Daisy is bad-tempered, suspicious, terrified, censorious, but also kind, caring, righteous and near-indomitable."

-Mark E. Leib, Creative Loafing

"Ann Morrison as Meg is a mid-1950s housewife with both verve and tenderness. When the spot-light closes in on her at the end of the beautiful "Near to You," sung with yearning by Meg and her two Joes, the look on her face speaks of complete faith and love." - Arthur Dorman, Talkin' Broadway